Confessions of a Conservative Atheist
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It’s the year 1600 and I am already an accomplished playwright, having written plays and created characters like Romeo and Juliet that would be revered for centuries. This might have been enough for any other artist, but I am not any artist by any means. I am William Shakespeare about to write Hamlet. It’s the… Continue reading I am William Shakespeare about to write Hamlet
It’s a credit to Shakespeare’s genius that he was able to craft one of the greatest plays ever written from such an unbelievable beginning, but it’s also his genius that the opening is the very heart of it all. Despite his protestations, Lear has broken one of the bonds that protects civilization from the lawlessness… Continue reading King Lear and the primal genius of Kenneth Branagh
This is Shakespeare’s Othello in the modern age. Othello is so easily manipulated by Iago because he doubts himself and can’t possibly believe a fair noblewoman would choose him. In Springsteen’s telling, we do not know the speaker’s scars, save that he’s a “lonely pilgrim,” but it doesn’t matter. We don’t need a villain either. … Continue reading Springsteen’s brilliant “Brilliant Disguise” and the inescapable nature of doubt
Jaques, As You Like It’s “melancholy fellow,” is not likely to appear on any list of Shakespeare’s greatest characters, nor is his speech on the nature of his melancholy, but we see in him a sort of proto-Hamlet without the need to wound, opinion unrestrained, as he fancies himself said, claims it is better to… Continue reading Shakespeare’s most underrated character and speech, perhaps
Few, if any endings are more tragic, but therein lies Shakespeare’s clever trick. To produce such an effect, he hid a tragedy in what is truly a comedy, the comedy of life itself. Everyone knows Shakespeare’s Romeo and Juliet is a tragedy because any play that ends with two young lovers, the main characters of… Continue reading Romeo and Juliet and the true nature of tragedy and comedy
The Bard wasn’t a scientist, unless you consider him an explorer of the human mind as some critics have asserted, and yet if we can divine one overarching theme he pursued, we might say it is uncertainty itself. Sonnet 94 is perhaps his greatest achievement in this regard, as the meaning changes based on the… Continue reading Shakespeare’s quantum mechanics in verse form
The Boss released Human Touch and Lucky Town on the same day in 1992 to some of the worst reviews of his career. This doesn’t mean there aren’t stellar songs on both including the most poignant take on jealousy in his canon. By Springsteen standards, the early to mid 1990s was the nadir of his… Continue reading “I Wish I Were Blind,” revisiting Springsteen’s oft forgotten classic from Human Touch
It took close to 350 years for mathematics and philosophy to catch up with the ideas about the human mind explored in Shakespeare’s classic tragedy. From computer science to the study of language, the opacity of other minds remains at the forefront of our understanding of each other and at the center of Iago’s scheming… Continue reading Shakespeare’s Othello, the Turing Test for Artificial Intelligence, and the indeterminacy of radical translation
Three very different masters of their craft, three unique mediums, one connecting concept that illuminates what makes their work timeless and yet somehow outside our reach at the same time Like William Shakespeare, Stanley Kubrick can be something of an acquired taste. People are vaguely aware of the reputed genius, but prefer to appreciate it… Continue reading Negative space: How the things left unsaid connect the diverse genius of Shakespeare, Kubrick, and Springsteen
Confessions of a Conservative Atheist 