Confessions of a Conservative Atheist
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An otherwise fine movie suffers from an almost schizophrenia in attempt to devour itself, as if the goal was to put the breakdown of the atom that powers nuclear fission on screen rather than the even more incredible narratives that surrounded it. Oppenheimer, which recently won best drama, best director, best drama, and best original… Continue reading Oppenheimer, Christopher Nolan, the kitchen sink, and reality being more amazing than fiction
Critics have generally praised the film, save until politics inevitably enters the picture, namely the depiction of the obsessive nature of genius and the role of women in 1957 Italy of all places, not exactly a hot bed of progressivism. The name “Ferrari” is legendary around the world, conjuring images of exotic, high performance cars… Continue reading Ferrari and the politicization of everything, either cave to progressive demands or be cast out
The scientific establishment positions itself as an objective authority that demands our trust, but their actions over the course of the past two decades certainly don’t suggest they are worthy of it. From an old scandal in climate science to a new one concerning the pandemic, they hide the data that doesn’t support their conclusions… Continue reading From “hide the decline” to hide the coronavirus data
Confessions of a Conservative Atheist 