Critics have generally praised the film, save until politics inevitably enters the picture, namely the depiction of the obsessive nature of genius and the role of women in 1957 Italy of all places, not exactly a hot bed of progressivism. The name “Ferrari” is legendary around the world, conjuring images of exotic, high performance cars… Continue reading Ferrari and the politicization of everything, either cave to progressive demands or be cast out
Confessions of a Conservative Atheist 