There’s a lesson here for modern filmmakers, who seem positively obsessed with developing backstories, explanatory and obligatory rules, and more in the service of some kind of world building, as though every film must exist in some kind of broader universe with a meaningful beginning, middle, and end. The Wraith, starring Charlie Sheen and Sherilynn… Continue reading Charlie Sheen’s The Wraith and the simple genius of 1980s filmmaking
Confessions of a Conservative Atheist 