Confessions of a Conservative Atheist
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In 1994, Mary Shelley’s Frankenstein almost ruined Kenneth Branagh’s career while this year’s equivalent of a remake from Guillermo Del Toro received almost universal praise despite making almost the same movie substantially worse. In 1994, Mary Shelley’s Frankenstein almost ruined Kenneth Branagh’s career. Though opinions of the film have generally improved in the more than… Continue reading Frankenstein and a tale of two Hollywoods
Much like music, a great film can exist purely on an emotional level, as a stream of loosely related and structured consciousness that teases us with symbolism, impenetrable to a complete analysis, and yet filled with meaning all the same. Federico Fellini’s 1963 surrealistic fantasy about a film director struggling with his love life and… Continue reading Fellini’s 8½ and whether or not reality matters in either art or life itself
Confessions of a Conservative Atheist 