Confessions of a Conservative Atheist
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When you consider that the 1948 cult-classic was one of the master director’s lesser known and less heralded works, his achievement in cinema – which I would suggest amounts to nothing less than the invention of modern cinema, from its plot and characters to how it is filmed and edited – is all the more… Continue reading Alfred Hitchcock’s Rope and the invention of the modern movie
Much like music, a great film can exist purely on an emotional level, as a stream of loosely related and structured consciousness that teases us with symbolism, impenetrable to a complete analysis, and yet filled with meaning all the same. Federico Fellini’s 1963 surrealistic fantasy about a film director struggling with his love life and… Continue reading Fellini’s 8½ and whether or not reality matters in either art or life itself
My writing process can best be described as vomiting on the screen and sifting through it in search of an editable morsel. The morsel is then preserved as I throw up again and repeat the process. Many morsels do not make it, some do as the process repeats itself into something resembling a final product. … Continue reading Celebrating 500 posts: Why and how I write
Confessions of a Conservative Atheist 