Confessions of a Conservative Atheist
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When you consider that the 1948 cult-classic was one of the master director’s lesser known and less heralded works, his achievement in cinema – which I would suggest amounts to nothing less than the invention of modern cinema, from its plot and characters to how it is filmed and edited – is all the more… Continue reading Alfred Hitchcock’s Rope and the invention of the modern movie
Roger Ebert asked, “It’s tempting to search here for themes and a style he would return to in his later masterpieces, but...Seeing it without his credit, would you guess it was by Kubrick?” On the surface, the answer is self-evidently no, but to a more critical eye, we can see the early signs of an… Continue reading The Killing and the early genius of Stanley Kubrick
Much like music, a great film can exist purely on an emotional level, as a stream of loosely related and structured consciousness that teases us with symbolism, impenetrable to a complete analysis, and yet filled with meaning all the same. Federico Fellini’s 1963 surrealistic fantasy about a film director struggling with his love life and… Continue reading Fellini’s 8½ and whether or not reality matters in either art or life itself
Confessions of a Conservative Atheist 