This is Shakespeare’s Othello in the modern age. Othello is so easily manipulated by Iago because he doubts himself and can’t possibly believe a fair noblewoman would choose him. In Springsteen’s telling, we do not know the speaker’s scars, save that he’s a “lonely pilgrim,” but it doesn’t matter. We don’t need a villain either. … Continue reading Springsteen’s brilliant “Brilliant Disguise” and the inescapable nature of doubt
Confessions of a Conservative Atheist 